Thanks for tuning in to our sixteenth episode of “Tell Us What’s in The Box,” a podcast focusing on relationships in horror media, romantic or otherwise.
Settle in with your three-legged rats, memories, and pain and listen as we unbox the 2011 short story collection by Dr. Chesya Burke LET’S PLAY WHITE.
I’m a woman on the rise at About.com!
Check out the “Interview with Chesya Burke” here.
Chesya’s story, Fantasy Coffin (Ababuo Need Not Apply) , is published in Stories for Chip, an anthology dedicated to Samuel R. Delany.
Also, her story, In the Quad of Project 327, appears in Cassilda’s Song: Tales Inspired by Robert W. Chambers King in Yellow Mythos.
Chesya had the honor of speaking with CFs Sheridf and Crunkadelic from the Crunk Feminist Collective, along with the fabulous Kiini Ibura Salaam (author of Ancient, Ancient). We talk feminism, Afrofuturism, and so much more. Check out the interview here.
A website was created examining Chesya’s short story collection, Let’s Play White, in conjunction with [a] class from Michigan State University. On the site, “you’ll find a guide to black women speculative fiction writers, a timeline of the conjure woman archetype, an analysis of the text and a discussion of themes, and a large numbers of videos and interviews with writers in the speculative fiction genre.”
Go here to see more.
I have a new article published at Clarkesworld, titled “Super Duper Sexual Spiritual Black Woman: The New and Improved Magical Negro.”
“In 2001, Spike Lee popularized the term the Super Duper Magical Negro (SDMN) while speaking to students at Washington State and Yale University. The reference was about the stereotype of the magical Black person who is written into the story to help the white protagonist on his journey. The characters are often uneducated, male, and desexed. They do not have families of their own (The Stand‘s Mother Abigail—the human race is her family) or desires of their own (The Legend of Bagger Vance‘s titular character—his sole purpose is to help the white character). Nor do they exist outside of the white characters’ constructed idea of them (Noah Cullen—willingly dies to protect the white criminal character in The Defiant Ones). None of this is news. Everyone’s been bombarded with the image of the passive, Black person who only wants to serve.
A little-mentioned incarnation of this archetype, however, has gone relatively ignored or unrecognized….
Read the rest of the article here.